I is the debut album from English group Grey Widow. The group was formed by members of other bands such as Dopefight, Parole, Thread and The Ergon Carousel and as such is seriously heavy. The album has an oppressive sound with snarling bass and anguished vocals with a distinct sludge metal style mixed with black and doom metal. Each track has a strong feeling of Despair and anger punctuating everything from the vocals to the drums and there is a somewhat distorted sound also in the mix which adds to the malicious atmosphere that permeates the album. The album gets more aggressive the further you progress with vi being a highlight and viii sounding like the onset of hell. Overall the album has an old school approach in that it sets out its theme and expands on it impressively but also manages to keep it minimalist, there is no filler here, no track to simply bulk up the numbers. What is here is dark, nasty, uncompromising, seething with rage and it wants to smash your head in. Fans of doom, sludge or just good metal in general will find plenty to love here and many may find their new favourite band. An excellent listen.
Tag Archives: Doom
‘Det stora oväsendet’ is the latest offering from Swedish group Avgrunden (The Abyss). The band plays a drone, doom metal style with an experimental side also. The album is entirely instrumental reinforcing the experimental nature of the group. Opening track ‘Duellen’ has a distinct sound with plucked strings and is reminiscent of a soundtrack to a western that serves as an introduction to ‘Polstjarnan’ that has a more structured style including drum beats and heavier riffs. ‘Tusen Ar’ has a more melancholic feel that is shared with ‘Mylingen’ a consciously slower paced track again employing the western style strings and occasional echoing drum beats as well as wailing guitars. ‘Domedagsklockan’ has an oppressive undertone running through it with a deep sinister bass sound complementing the drums and guitars that evokes a feeling of desolation. ‘Drommen’ on the other hand is suitably climactic with its Mexican standoff style instrumental work. To summarise ‘Det stora oväsendet’ should appeal to fans of experimental or doom metal with the absence of lyrics allowing the music to take centre stage. It’s a relatively short album but the tracks included make up for it. It may also appeal to those who enjoy the works of Ennio Morricone or Gustavo Santaolalla, Morricone’s spaghetti western sound and Santaolalla’s minimalist style are a good fit in the metal genre and is a great investment for those seeking something different in their doom metal. Well worth checking this one out.
Victor Granat (Electric Guitar & Devices), Johan Hägglund (Bass Guitar & Devices), Johan Norberg (Drums).
Nine waves from the shore is the debut album from Dublin based group Celtachor. The group combine black/doom and Folk Metal influences into their sound to forge their own distinct style. The group considers themselves the Narrators of Irish Mythology (The Irish equivalent of Amon Amarth if you will) and they perform their songs with the same drive and Passion as the Mighty Nords. Kicking things off is an Epic ten minute assault ‘The Landing: Amergins Conquest’ followed by ‘The Battle of Tailtin’ which reinforces the similarity to the Scandinavians using ancient tales to drive some impressive guitar shredding and deep Primal drums. The inclusion of traditional Irish instruments like the Irish Whistle and the Bodhran (Think Handheld drum) add character to the tracks and give a unique sound that’s greatly welcomed. Vocalist Stephen Roche belts out the lyrics with passion and is backed up by stellar guitars and drums. And special mention must go to the Albums one instrumental track ‘Tar éis an Sidhe’ which uses the traditional instruments to brilliant effect to create a beautiful haunting track that is ethereal and mysterious as well as somewhat mournful. ‘Sorrow of the Dagda’ also features an awesome last five minutes similar to the songs on Metallica’s Death Magnetic with long solos gradually winding down the song to a sombre conclusion. This is a highly impressive opening album from the group and lays some firm foundations for their follow up work. The similarities to Amon Amarth are what lured me in (A Love of Mythology, epic tunes) but give Celtachor some time to really define themselves and their sound and they could go toe to toe with the Vikings. And wouldn’t that be something to see!
Stephen Roche (Vocals, Irish Whistle, Bodhran), David Quinn (Guitar), Emile Quigley (Bass), Anaïs Chareyre (Drums), Fionn Staffort (Guitar, Irish Whistle).